- Away We Go (Sam Mendes, 2009)
- Lawless (John Hillcoat, 2012)
- Dude Where’s My Car? (Danny Leiner, 2000)
- Duel To The Death (N/A, 1898)
- A Star Is Born (George Cukor, 1954)
- Easter Parade (Charles Walters, 1948)
- Kinky Boots (Julian Jarrold, 2005)
- Wings of Desire
Stop-motion animating legend filmmaker Ray Harryhausen has died, aged 92.
Ray Harryhausen has helped bring such film gems as Jason and the Argonauts (1963) and Clash of the Titans (1981) to life through his animating genius, and on 7th May 2013 news sadly travelled that he had died. He is one of the most legendary creative forces behind the spectacular visuals of fantasy and sci-fi films such as Sinbad And The Eye Of The Tiger (1977) and 20 Million Miles To Earth (1957). Harryhausen created his animated figures by hand…
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(Source: enchantedbyfilm)
Dear Virgin Media,
I’m really sorry for my Father in Law not paying his bill last month, but what with him being dead and all, it’s probably slipped his mind. Some people, eh?
You, however, are to be publically commended for swooping in with all the sensitivity of a charging rhino and instantly fining him an extra ten pounds for having the unheard of nerve to be dead and therefore being unable to pay you (some people really have no idea of priorities do they? It’s your profit first, THEN anything else. The cheek!).
You also win extra points for noticing his bank had returned his Direct Debit informing you he had passed away, THEN still slapping on a fine anyway. That’s a special kind of meanness right there. Oh, and despite my wife telling you our sad news as well. I am intrigued - how exactly did you imagine him paying this extra fine from beyond the grave?
You also deserve a further honorable mention for promptly sending us next months bill as well. I’m simply not paying it, as ever since passing away, I have noticed a sharp decrease in the amount of television my Father in Law has been watching. I simply cannot think why that would be.
I might pay it if you can prove to me he’s been watching any of your channels in heaven, but given thatBritish Sky Broadcasting is beamed in directly from the clouds I think he’s much more likely to be enjoying that. Your infernal cable pipes seem only to come up from the ground (same location as Hell - spooky coincidence) where I imagine your train people in the art of customer service.
I am bitterly disappointed in your attitude, probably automatically generated by machine and unchecked by any caring human heart. The only saving grace is that my Father in Law had an excellent sense of humour and is probably laughing his arse off about this as we type, giving you the Vs, waving ten pound notes around, planning to haunt you and enjoying the content of Sky TV.
I had to share this from facebook because it’s bloody amazing. I commend you, Sir for your fantastic wit. Makes me glad we have Sky and not shitty Virgin media :D
Because I hear that’s what makes the gravy grander.
that’s funny :D
I was being serious.

(Source: enchantedbyfilm)
Happy Birthday Mary Pickford!! (8th April 1892 – 29th May 1979)
Also visit my fellow blogger thefilmwriter for looooooads of posts and images from her library of silent movie stars like Mary Pickford and Lillian Gish :-)
(Source: enchantedbyfilm)
2013 In Films – March Summary
Throughout March I only saw 26 new-to-me films, but I did as planned and saw a lot more silent and unusual art house films than I normally would. I saw a lot of brilliant films during March, making it really hard to choose my top five. I have also been introduced to more actors that I was previously unfamiliar with. Clara Bow, for instance who is now one of my favourite actors. I also saw Trance at the…
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(Source: enchantedbyfilm)
Movie Quote of the Day - Stoker (Park Chan-wook, 2013)
India Stoker: What do you want from me?
Charles Stoker: To be a friend.
India Stoker: We don’t need to be friends… We’re family.
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(Source: enchantedbyfilm)
That’s absolutely fine, yeh sure :-)
Right okay so ermmmmmm.
I’ll link you to the plot summary here. And if you read that first, then read what I have said, I’ll give you what I got of it in terms in movie analysis :-) I should point out that I was looking at it for its exploration of heritage film and how it opposes typical heritage in the way that it explores more of female independence.
The film explores female sexuality and female independence. It breaks from traditional expectations of heritage film (which typically focus on women who are restricted by duty and their gender roles), and instead, this film focuses on a girl who goes against what is expected of her. There is a GORGEOUS shot where Shakespeare undoes Viola’s corset as she smiles and dances suggesting he is giving her freedom and taking away the thing which symbolises her gender restrictions.
Shakespeare and Viola also speak poetically throughout the film, like in traditional Shakespearian language, and it is solely those two who do it. They inspire in each other a sense of Romance that is otherwise nonexistent. They act as eachother’s muses.
At a time too when women were seen as smaller than men, and they were unable to do things like act in the plays etc, Viola suggests a symbol of change in that respect by dressing as a boy on stage.
There is also intertextuality in the film as the play of Romeo and Juliet ties in with Shakespeare’s love affair with Viola and suggests he based the play on their romance. At the end too he begins writing Twelth Night, calling his heroic protagonist (who dresses as a boy) Viola, basing her on Viola within the film. So there are references to his other plays.
Also, it may interest you to know that in the bonus featurette of the DVD, they say how costume played a significant role in the film and rather than it looking like fancy dress or a costume drama, it was made to look like clothes people would wear everyday, like real clothes. Also, they say how in real life in the stage play the actors would wear contemporary costumes, but so as not to confuse the film’s audience, they dressed the actors in the Romeo and Juliet play in renaissance clothes.
In terms of the fact that this is for your English paper, in the bonus feature it says that loads of people have written about Shakespeare, and if you’re gonna write about him, you need to write something new, and for the creator (or writer) of this film, the idea was staring him in the face, writing about how Shakespeare was starved for love and ideas, and his inspiration came to him from his muse, Viola who he fell passionately in love with. And in the film, Viola is the inspiration for Shakespeare’s poetic language.
Also, the trailers advertised the film as promoting female sexuality and female indepedence, for instance, the trailer says “she wanted to act when women weren’t allowed”, it also says “when they teamed up, they broke all the rules” and “the sexiest movie of the year is now the best movie of the year”. It won like loads of Oscars too (7 I think) and was nominated for 13 which is the most a movie has ever been nominated for.
I would write a lot more and could go on about this film in detail for hours, but I think I’m gonna write my film essay on it so obviously don’t wanna put too much info on the internet about it cos I’ll be accused of plagiarising myself :P
I hope what I said has helped anyway :-) You may be able to find some clips on youtube though.
There are sites you can watch films online but they’re illegal so I’m not going to recommend any, but just so you know, it may be worth a look if you really need to watch it.
It is an absolutely wonderful and gorgeous film though. Like I said, it was nominated for more Oscars than any other film to that date. Also, think about the context in your essay, what the film’s themes and ideas (despite being set in the Elizabethan times) have to comment on contemporary audiences (the film after all was released in the 90s).
I hope that is all of use to you anyway, and good luck with the essay :-)